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c. 1445 – May 17, 1510. Italian painter.

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REMBRANDT Harmenszoon van Rijn
Self-Portrait 88

ID: 08838

REMBRANDT Harmenszoon van Rijn Self-Portrait 88
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REMBRANDT Harmenszoon van Rijn Self-Portrait 88


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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | Portrait of an Old Man dy | Ephraim Bueno | The Return of the Prodigal Son (detail) | The Resurrection of Christ | An Old Woman Reading |
Related Artists:
POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,
Philip de Laszlo
MVO (born 30 April 1869, Budapest - died 22 November 1937, London) was a Hungarian painter known particularly for his portraits of royal and aristocratic personages. Leszle was born in Budapest as Laub Felöp Elek (Hungarian style with the surname first), the eldest son of a Jewish tailor. The family changed its name to Leszle in 1891. He apprenticed at an early age to a photographer while studying art, eventually earning a place at the National Academy of Art, where he studied under Bertalan Szekely and Keroly Lotz. He followed this with studies in Munich and Paris. Leszle's portrait of Pope Leo XIII earned him a Grand Gold Medal at the Paris International Exhibition in 1900. In 1903 Leszle moved from Budapest to Vienna. In 1907 he moved to England and remained based in London for the remainder of his life, although traveling the world to fulfill commissions.
Nicolas Regnier
Maubeuge ca 1590-Venice 1667






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